GUEST THEATER REVIEWER, MR. WILLIAM SHAKESPEARE
In the year 1987, three young chaps from the brave New World, Adam Long, Daniel Singer and Jess Winfield, made too much of a good thing when they played fast and loose with my entire canon. Well, according to the groundlings sitting around me last Sunday, laughing themselves into stitches at this latest revival, they obviously succeeded hilariously. This eyesore has been a roaring success for 26 years - my works a mere 400+ - but I suspect many of their contemporary references, e.g. to the Royal Kardashians, must have been added more recently.
Some of it went by so fast it set my teeth on edge and I could barely recognize my own plots or characters. They must think I’m a blinking idiot, then, to believe they covered ALL my comedies at one fell swoop? And I suspect foul play because my Royal Kings, in Battle for the Football Crown, was clearly pandering to an American fool’s paradise. The long and short of it is, they even mocked my tragedies – Othello, Macbeth and, stony-hearted villains, my masterpiece, Hamlet!
This
is written more in sorrow than in anger.
However, where was the respect for my genius? How dare they make me a laughing stock, mock my work without rhyme or reason. Do they wish I was dead as a doornail? By Jove, it pierced my soul with regret
that I ever left my manuscripts lying about the Globe dressing rooms so those
damn actors, John Hemings and Henry Condell, could gather them up and publish
them, thereby making them vulnerable to centuries of bad productions, weird
concepts and now this bloody-minded
farce.
However, it is high time that I make
corrections: I am not bald – I have a fringe. I never plagiarized, I merely
improved on a lot of crap. It was bad enough that Richard Burbage and all
those actors in The King’s Men fucked
up my lines – now I have to suffer this mockery. They say I wrote 37 plays
but really, have they never heard of The
Two Noble Kinsman? How about The
Reign of King Edward the Third? Even better, The First Part of Sir John Oldcastle and A Yorkshire Tragedy.*
The Murder of Julius Caesar! |
The actors Lucas Kwan Peterson, Eric Bloom and Mike Niedzwicki, all refuse to stand on ceremony as they bid me good riddance, and the director, Sarah Gurfield, makes a virtue of necessity as she sends me packing.
But what the dickens, it is all one to me. I return to my grave. The rest is silence...
Produced By Bart Petty for Santa Monica Repertory Theater, At The Promenade Playhouse, 1404 Third Street Promenade, Santa Monica, through June 30.
Tickets:
(213) 268-1454 or www.santamonicarep.org
*For
verification and enlightment go to www.shakespeareinc.com
and my illustrious friend Paul Sugarman, of The Instant Shakespeare Company, will fill you
in on further discoveries.
It's too bad that people can't tell irony online, I think it's a delightful review and a fair approximation of what Shakespeare's reaction might be.
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