I met legendary screenwriter Dalton
Trumbo back in the late 1970’s. At the time, I was a columnist for the important weekly
trade paper, The Hollywood Reporter, which was a bible for everyone in Film
& TV. I was writing a series about the Great Old Days in the Film Industry
and interviewing men and women whose work had made their mark on our lives.
He was one of the famous Hollywood
Ten, and after being accused of being a communist and refusing to give information, had gone to prison in 1950 for contempt of Congress. When he came out no studio would
hire him and he took his family to live in Mexico.
However, the film industry
was still eager to make use of his writing talents so, under assumed names, he
wrote about 30 screenplays at a meager salary compared to his worth. These
included Best Screenplay Oscars for “Roman Holiday” and “The Brave One.”
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I drove to our liaison point and picked him up, then
drove up to the top of Mulholland to a quiet wooded area and stopped. I asked
him when he was going to pay me and he gave me the runaround. So I pulled out a
pistol, aimed it at him, and said I want the money now, as I do not intend to
go off to jail and leave my family penniless. He appeared a bit shocked, but
obviously didn't believe I was serious about shooting him. So I told him that
it would give me much satisfaction while sitting in prison to know that at least
he wasn’t having a great surge in his career and shooting him would probably
not add much more to my sentence anyway.
I said firmly, ‘If you don’t go with me to your bank
right now and draw out the money I will shoot you.’ We had never liked each
other much anyway and at that time I didn’t give a damn whether I got fried for
murder as my life and career were ruined. Evidently, he finally realized I was
serious and we drove to his bank and he gave me the money.
Needless to say, I did not
mention this in my story and after my article came out he called me at the Hollywood
Reporter and said he enjoyed it.
About 2 months later, I
called Dalton and asked if he would write a column for the Reporter and maybe
include some of the fabulous tales he had told me. He said come on over. This
time I was ushered into his bedroom. He sat on the bed while I sat in the
armchair. He had written the column and read it aloud to me. It’s in the Hollywood
Reporter Archive and is a phantasmagoric tale of a nightmarish flight over a
magical land. It made no sense to me. I asked him what it meant and he said
that’s exactly how it was.
A few months later he died of
a heart attack at age 70.
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