I met legendary screenwriter Dalton
Trumbo back in the late 1970’s. At the time, I was a columnist for the important weekly
trade paper, The Hollywood Reporter, which was a bible for everyone in Film
& TV. I was writing a series about the Great Old Days in the Film Industry
and interviewing men and women whose work had made their mark on our lives.
He was one of the famous Hollywood
Ten, and after being accused of being a communist and refusing to give information, had gone to prison in 1950 for contempt of Congress. When he came out no studio would
hire him and he took his family to live in Mexico.
However, the film industry
was still eager to make use of his writing talents so, under assumed names, he
wrote about 30 screenplays at a meager salary compared to his worth. These
included Best Screenplay Oscars for “Roman Holiday” and “The Brave One.”
When I called Dalton, he
expressed surprise that a member of the trade paper that had led the charge
against him wanted to feature him. He lived above Sunset Boulevard and invited
me over to chat. I waited in the large downstairs drawing room and he came down
along one wall seated on an electric stair lift. He was a tiny guy and admitted
he was getting a bit frail, but his greeting was hearty and he was agreeable to
answer any of my questions about those that had exploited him after he was
toppled from his screenwriting pinnacle.
I was expecting some trace of
bitterness towards the film industry, but this cheery man seemed to find the
entire scenario broadly amusing. In fact, I hardly had to question him; he was ready
to tell his version of the great filmmaking days, the good and the bad, and to
also give me the names of certain rascals who had betrayed him. When he asked whom
else I was interviewing for the series and I mentioned mega-producer Sam Spiegel
he roared with laughter. Let me tell you
about my last meeting with Mr. Spiegel, he said. And here’s the tale as I
recall:
I had been sentenced to prison and I was deeply
troubled for having to leave my family with no income flow. It had stopped when
I was first accused and, due to the blacklist, no one was any longer hiring me.
Now Mr. Spiegel owed me a great deal of money and he had been putting off
payment – I assume because he felt that with me behind bars it was pointless to
pay up. Oh, yeah! Well, I called him up and said I needed to talk and he agreed
to meet me at a distance from the studios, obviously because he didn’t want to
be seen with me.
I drove to our liaison point and picked him up, then
drove up to the top of Mulholland to a quiet wooded area and stopped. I asked
him when he was going to pay me and he gave me the runaround. So I pulled out a
pistol, aimed it at him, and said I want the money now, as I do not intend to
go off to jail and leave my family penniless. He appeared a bit shocked, but
obviously didn't believe I was serious about shooting him. So I told him that
it would give me much satisfaction while sitting in prison to know that at least
he wasn’t having a great surge in his career and shooting him would probably
not add much more to my sentence anyway.
I said firmly, ‘If you don’t go with me to your bank
right now and draw out the money I will shoot you.’ We had never liked each
other much anyway and at that time I didn’t give a damn whether I got fried for
murder as my life and career were ruined. Evidently, he finally realized I was
serious and we drove to his bank and he gave me the money.
Needless to say, I did not
mention this in my story and after my article came out he called me at the Hollywood
Reporter and said he enjoyed it.
About 2 months later, I
called Dalton and asked if he would write a column for the Reporter and maybe
include some of the fabulous tales he had told me. He said come on over. This
time I was ushered into his bedroom. He sat on the bed while I sat in the
armchair. He had written the column and read it aloud to me. It’s in the Hollywood
Reporter Archive and is a phantasmagoric tale of a nightmarish flight over a
magical land. It made no sense to me. I asked him what it meant and he said
that’s exactly how it was.
A few months later he died of
a heart attack at age 70.
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