Tuesday, June 16, 2015

MY FATHER ALWAYS SANG FOR ME ...a memoir



 
          
Mother & Father, when dating, with a friend
 
 


      My father, Bill Murphy, was born in County Cork, Ireland in 1905.  His father was a schoolteacher.  His mother had already given birth to eleven children and my father was number twelve.  A few years later she died giving birth to her thirteenth child.  His stern father did not believe in protecting children from the harsh facts of life and my father’s first memory was of seeing his darling mother lying cold and dead in his parent’s bedroom.  He was two years old.
            When he was about eight he had a dog that he loved, a big old yellow mongrel that followed him home one day.  Then an edict came from the County Cork municipal authorities.  All dogs that were unlicensed had to be destroyed.  My father knew his family could not afford the license fee so it was useless to even ask.  He hid the dog until the final day.  When he saw the official car coming up the street to give out summonses he grabbed the dog and ran to the river.  Years later he laughed as he described the terrible scene, “Dozens of kids like meself, all there drowning their pets so the family wouldn’t get mad at them.”  That was when I realized the Irish always laugh when their hearts are breaking.
            He ran away to sea when he was seventeen and traveled the world in the Merchant Marines.  He met my mother when he was home on leave in County Cork.  She was eighteen and they met at a Halloween party.  He was tall and handsome with red hair and full of jokes.  She was pretty and slim with chestnut hair and a clever quip for all his teasing.  Their courtship was full of laughter and two years later they married.  He stayed at sea until their second child was born.  Then he retired from the Merchant Marines and they moved to England and settled in Romford, a small town outside London.
            When World War Two broke out London was being bombed and mother took the children (now three little girls) away to the country for safety.  My father must have been very lonely and he got involved with a woman he met through friends.  Doris was beautiful and extremely warm and affectionate and she adored my father.  By the time my mother found out my father was having an affair they had decided they could not live without each other.  At the break-up, they were hostile to my mother and left her with an empty house (they took the furniture) and four young children ages ranging from eight years old to six months.
            I was too young to remember any of this and did not consciously meet my father until I was about seven.  I was in boarding school and went to stay with him and Doris and their new baby boy for the Easter holiday.  I loved Doris on sight and when she hugged and kissed me affectionately I was smitten forever.  My father was more formal, nodding and smiling but with no physical contact.  Then the first morning I woke up in their pretty little bungalow I heard him singing.  And I knew then that my father was singing for me.
He had the most beautiful baritone voice I ever heard, then or since.  He sang opera, Irish ballads, American standards.  The house rang with the glory of this music.  Doris would sometimes laugh and cover her ears but I never tired of hearing him.  At night he and I would walk through the dark empty streets and he would sing.  I danced along beside him, running to keep up with his long-legged strides.  Entranced by his voice ringing boldly through the silence. 
      Every year he entered the competition for the Essex County Music Festival and won Best Baritone.  I sat with Doris in the Festival Hall puffed with pride at my father’s glorious gift.  He sang Mozart, Puccini, Gilbert and Sullivan and was clearly the audience favorite.  He always chose to sing far away from the microphone – his voice strong and vibrant, filling the hall in no need of mechanical help.
      After my mother took us to America, when I was thirteen, he dropped out of my life.  I wrote him long letters that were never answered.  Somehow they had decided to cut off that secret family from his past.  Years passed with no word from him but I never gave up writing.  I wrote of our difficult adjustment to our new life.  Of my strange but friendly acceptance at a New York Public school.  Of my oldest sister’s boyfriends.  My younger brother’s troubles with delinquency.  My mother’s marriage to a kind gentle man.  My longing to see them, Dad and Doris and Billy.  No response.
      At the age of eighteen I decided to become an actress and started in Drama School.  I wrote to Dear Dad and Doris that I was about to embark on this theatrical career.  I wanted to be on Broadway, maybe in the movies.  An actress of quality and dedication.  And then he wrote me a letter.  “I would advise you against going into the commercial world of the theatre,” he wrote.  It is a hard life and the rewards are not worth the suffering you will endure.  There are a lot of talented people who try to make a foothold in that area and never amount to anything.  It’s not worth the hardship so I advise against it.  It’s no life for someone like yourself.  You can do better.
     I had broken the ice.  The following year I went to stay with them again.  He no longer sang at Festivals and there was no Glee Club at the factory where he was a supervisor.  I asked him to sing the old aria’s and he did, but with apologies for the loss of tone in his voice.  Doris did not care that he no longer sang about the house, but I did.  Before I left for America again I asked him to make a record for me of all his old songs.  “I’ll do it,” he promised.  He had to hire a pianist and go into a recording studio but it did not take him long to do it. 
      The package came when I was living with my best friend in a Brooklyn apartment.  She was a classical-music lover and without telling her who she was hearing I played my father’s record.  It was his voice, but he was right, the vibrant tones were gone.  The glorious voice was thinner and weaker but still it had his magic sound.  We listened to the entire roster of songs and she chucked appreciatively.  Very good,” she said.  “That’s my father singing,” I confided in her.  She laughed.  Of course, I knew that.  All you ever talk about is how your father had this lovely voice and always sang for you.  Yes,” I said, “And now I have his voice forever.”   
 by Morna Murphy Martell

Tuesday, April 28, 2015

SEA PHANTASY: A WRITERS WORKBOOK by George Fain







The Author of this workbook, George Fain, is a logophile* - a Lover of Words - and in this charming booklet he introduces young people to the delight of expressing oneself beyond the mundane.  




At first he cheerily lists dozens of examples of a series of popular writing expressions, from Allegory through Hyperbole and on to Syllogism. Then he explains how to write freely from ones own imagination, using descriptive words fluently and with great amusement. 


To Fain, writing can be the greatest fun and reading his surrealistic pirate adventure stories shows how free one’s imagination can be. Give this book to your favorite youngster and inspire them to expand into imaginative writing instead of texting in dull shorthand. 


Photo selections are by fashion designer Amber Guidara. For information, email gnf@earthlink.net or call (323) 851-8525.

* Dictionary.com: logophile n. Greek logos – speech; phile – friend/lover.

Friday, January 9, 2015

HOW WE BECAME USED CLOTHING PHILANTHROPISTS By Morna and Ralph Martell


Rev. Ben Bortin

 
In 2002, we bought a house in Staten Island across the harbor from Manhattan and, since it was a long ferry ride to attend the Ethical Culture Society (our choice at the time) we stopped by the nearby Unitarian Church. The minister there, Rev. Ben Bortin, was definitely a Humanist and his weekly sermons were actually well-thought-out essays on timely world events and always inspiring. 

One of the things Unitarians promote is outreach and there was a basket at the entrance to the church for people to bring clothes, etc. for the poor. We were intrigued by this as it seemed a simple thing to do and offered to deliver the items each week. At the time, the donor of choice was the Salvation Army but something in us rebelled against the idea that these would be sold to people who were not poor enough as far as we were concerned. Giving to us meant ‘no strings attached.’

Rev. Terry Troia
We heard about Project Hospitality, run by a dynamic Reformed Church minister, Dr. Terry Troia, who advocated for the poor in all areas social and political. They had shelters for homeless to sleep and gave clothes away once a week, no questions asked. For a few months we brought them weekly bags of goods that they placed in a garage by their headquarters. Then they suddenly lost that space and could no longer store or accept our stuff. We had to look elsewhere and, sad to say, it wasn’t difficult to find where help was needed.


Christine Dixon as Harriet Tubman Herself 
Ralph is a composer-lyricist and Morna a playwright and we had been getting grants from the Staten Island Arts Council to create and present children’s theater for underprivileged kids. Among them were an annual Christmas show and a dynamic one-woman play on Harriet Tubman - now in its 6th year. As we were being warmly accepted in the black community, we discovered the AME Baptist Church, the oldest in Staten Island, on Tompkins Ave in Stapleton. 

UAME Baptist Church in Stapleton, S.I.
Every day they handed out food donated by numerous charities to local people. Thursdays they hauled out tables in front of this tiny historic church and laid out clothes and stuff for people to take. The deal was, they paid .25 cents for a supermarket size plastic bag and filled it to capacity. This became our weekly mission that only ended when we decided to move back to California in 2012.

When we arrived in Hollywood to live we found that the Yuppie area where we were was full of young people who had money and clothing to spare. We put up signs in the laundry room and scoured the neighborhood for bags of often designer clothes left on the sidewalk for needy passers by. We’d separate them and, if needed, wash them and took turns bringing them to Goodwill or the UU Church in Santa Monica. We Googled local non-religious charities and learned about Food on Foot. 

We found it was started in 1996 by financial whiz Jay Goldinger to help the homeless get back on their feet with no strings attached (our kind of guy). We started stopping by their Sunday dining event in Hollywood at the LGBT Center on Schrader Ave and talked to the volunteers. As many as 250 homeless, poor individuals and families are served a meal each week and given decent clothing for free. Hey, the volunteers actually have to pay money to help out and they clearly enjoy doing it - as do we. 

So, if you are looking to make donations bring them along to Food on Foot in Hollywood any Sunday! 

This article was written for Rational Alternative: the Newsletter of Atheists United.

Monday, December 1, 2014

SHINE: Bright Stories of Positive Change




 

 This is a storytelling event that meets on the third Thursday of Every Month at the YWCA in Santa Monica. After reading about it in the Daily Press I went just to observe and listen to some inspiring true stories! While waiting to sign in, the woman behind me on line pointed out a placard that said “Sign up for a chance to share your own!” The theme that night was “Finding Bravery” and she challenged me to have a story to tell. I filled out a card stating that I once rescued a women and child from domestic violence. It was deposited in a box with lots of others and I forgot about it. 
 The spirit in the crowded YWCA meeting room was upbeat and friendly with energetic hostess, actress/comedian Ruthy Otero, setting the blithesome mood. For openers there was guitarist Josephine Johnson, a singer/songwriter with a lovely voice and appropriate songs such as “Let It All Out!” Then the scheduled storytellers began: Actress Michelle Joyner told an hilarious account of appearing in a film with Sylvester Stallone where they had to rappel down a 4000 ft mountain and she risked life and limb while he matched the shots safely in the studio. Writer Carol Schwalberg related a childhood tale of punching out a bully after her mother scolded her for cowardice. Therapist David Muchnik told of his decades-long fear that his mother would commit suicide and the courage it took to finally refuse this blackmail. Realtor Burt Ross, told of when he was Mayor of Fort Lee, New Jersey, and his challenge to the Mafia when they tried to bribe him.
After intermission, producer/writer Isabel Storey offered Ruthy the box with all the sign-ups and to my shock and awe she called out my name. I had to wait my turn, but the storytellers who preceded me were so interesting I hardly had time to panic. Screenwriter/comic Brandon Burkhart told a riveting tale of a subway meetup with a psycho and how he disarmed the guy by inviting him for a beer. Actress/activist Sara Mayer acted out her experience in the Middle East when, in the women’s section at a Muslim wedding, she learned to dance Bollywood-style. Educational psychologist Marian Silverman’s story was how she overcame her fear of the ocean through her pet dog who would retrieve his favorite toy even through thundering waves. Author/artist Rachel Gebler Greenberg’s story was deeply moving as she told of the sudden loss of her beloved husband and her attempt to keep going by writing a memoir about him.
I have always relied on my writing to express myself, but I found verbally relating the events of a story that I was familiar with turned out to be an exhilarating experience. When I got up I felt calm and confident and the attentive upturned faces in the audience reassured me that I was among friends. It could have been that I was chatting with them over coffee and relating an experience wherein I was brave. I actually rocked! People laughed and applauded, and I felt it. Validation, acceptance, belonging! So when you go, sign up and maybe you can have the experience for yourself. (I promise to post the story I told on this blog soon)
At the YWCA /Westside, 2019 14th Street, Santa Monica. Doors open at 7:30 for guest storyteller signup, live music & mingling. Stories and guest drawing starts at 8:00. SHINE is presented by Storey Productions in association with Santa Monica Repertory Theater, UCLArts & Healing, and YWCA Westside. Theme for December: “They say there's a time to love and a time to hate. Is there also a time to forgive? Storytellers share their decisions to forgive... or not.”
If you have questions, email Isabel Storey, isabel@storeyproductions.com
Published in the Santa Monica Daily Press, Dec. 9, 2014